… is a letterpress printer and tutor, currently working in the workshop at London College of Communication, and completing an MA in Chinese Studies at School of Oriental and African Studies.
2018, Jun

Paper presented at ‘Script, print, and letterforms in global contexts: the visual and the material’ conference organised by Centre for Printing History and Culture

Printing as an activity can’t be separated from its religious roots. Having originated as a way of reproducing religious charms to earn merit, religious printing played a major part in the printing history of China from its conception up to today. This paper looks at the printing of the morality book Yuli Chao Chuan Jingshi in Late Imperial China. This cheaply produced book was freely distributed in temples as a way of accumulating karmic favour, and it illustrates the Chinese conception of hell. Its function is not only to educate about the torments and dangers of a misled life, but more crucially, it was believed that it will aid in saving the book’s sponsors, printers, carvers and distributors from the dangers it warns of.

By comparing two surviving examples from the nineteenth century, this paper looks at the production of the Yuli Chao Chuan Jingshi as an attempt to avoid hell. Comparison of the two editions will evidence that the later edition was produced from forged woodblocks, which raises the still relevant question of printing as a creative practice versus an automated action. While from here it would be easy to conclude that artistic originality had no bearing in the earning of religious merit, the purposeful erasure of a hell scene associated with punishing those who engage in poor book practices from the forged edition will lead to the conclusion that although the copying of editions was standard practice, the carvers or publishers had an awareness that this poorly produced edition might have consequences in the after-life.

Centre for Printing History and Culture
2018, Feb
Atom Gallery
2018, Jan
Letterpress Workshop for National Art & Design Saturday Club, with Yashna Lotun
London College of Communication
2017, Oct

2017, Sep
Letterpress Workshop for RMIT University
London College of Communication
2017, May
End of Year Tutorials for FE Graphics Pathway
Ravensbourne University
2017, Apr
Bookbinding and Modular Type Workshops
Ravensbourne University
2017, Apr
“Devising an Environment for Control in Can Xue’s ‘Dialogues in Paradise’”
School of Oriental and African Studies
2017, Feb
“P22”, Letterpress Workshop for MA Graphic Media Design, with Christian Granados
London College of Communication
2017, Jan

2017, Jan
Letterpress Workshop for City & Islington College, with Christian Granados
London College of Communication
2016, Dec
“The Burden of Caring for Men: Performing Motherhood in Shen Congwen’s ‘The Inn’ and ‘The Husband’”
School of Oriental and African Studies
2016, Nov
“Kitching’s Concise Letterpress Workshop”, with Alan Kitching and Christian Granados
2016, Sep
2016, Jul
“Similarly Different” Letterpress Workshop for Portland University, with Christian Granados
London College of Communication
2015, Jul

2015, Jun
RA Lates, “Alice in Wonderland”, with Alan Kitching
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2015, May

2015, Apr